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Franz Marc Fighting Forms (mk34) 1914
Oil on canvas
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Franz Marc Small Composition iii (mk34) 1914
Oil on canvas
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Franz Marc Broken Forms (mk34) 1914
Oil on canvas
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Franz Marc Animals in Landscape (mk34) 1914
Oil on canvas
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Franz Marc The Birds (mk34) 1914
Oil on canvas
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Franz Marc Tyrol mk87
c.1913/14
Oil on canvas
135.7x144.5cm
Munich,Bayerische Staatsgemalde sammlungen,Staatsgalerie Moderner Kunst
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Franz Marc Blue Horse mk1911
Oil on canvas
112.5x84.5cm
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Franz Marc Fighting forms MK169
1914
Cloth
91x129cm
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Franz Marc Horse with two foals mk178
oil on linen
76x90cm
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Franz Marc Blue horse ii mk178
1911
oils on linen
112x86cm
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Franz Marc The small yellow horses mk178
1912
oils on linen
66x104cm
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Franz Marc Radjur in the forest II mk234
1913/14
110.5x100.
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Franz Marc blue horse ll mk247
1911,oil on canvas,44.125x33.625 in,112x86 cm ,private collection
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Franz Marc The fate of the animals mk250 Year in 1913. Oil on canvas, 194.9 x 268 cm. Basel Museum of Art.
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Franz Marc Deer in the Woods II, 1912 Deer in the Woods II, 1912
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Franz Marc The Fate of the Animals, 1913 The Fate of the Animals, 1913
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Franz Marc The Lamb The Lamb, 1913-14
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Franz Marc Fighting Forms, 1914 Fighting Forms, 1914
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Franz Marc stora bla hastar 1911
se
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Franz Marc tirol 1913/14
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Franz Marc
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1880-1916 German
Franz Marc Locations
Franz Marc was born in 1880, in the German town of Munich. His father, Wilhelm, was a professional landscape painter, and his mother Sophie was a strict Calvinist. He began study at the Academy of Fine Arts, Munich in 1900. In 1903 and 1907 he spent time in Paris and discovered a strong affinity for the work of Vincent van Gogh. Marc developed an important friendship with the artist August Macke in 1910. In 1911 he formed the Der Blaue Reiter artist circle with Macke, Wassily Kandinsky, and other artists who decided to split off from the Neue K??nstlervereinigung movement.
He showed several of his works in the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich between December 1911 and January 1912. The exhibition was the apex of the German expressionist movement and also showed in Berlin, Köln, Hagen, and Frankfurt. In 1912, Marc also met Robert Delaunay, whose use of color and futurist method was a major influence on Marc's work. Marc became influenced by futurism and cubism, and his art became stark and abstract in nature.
His name was on a list of notable artists to be withdrawn from combat in World War I. Before the orders were carried out, he was struck in the head and killed instantly by a shell splinter during the Battle of Verdun (1916).
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